by Melvin Terry


February marks Black History Month, a tradition that got its start in the Jim Crow era and became official in 1976, with President Ford calling on the public to "seize the opportunity to honor the too-often neglected accomplishments of Black Americans in every area of endeavor throughout our history." For our spring concerts, “True Colors,” the Oakland Gay Men’s Chorus will be performing “My heart be brave,” an important contribution to music in the Black tradition, composed in 2022 by Marques L.A. Garrett. He’s given us a setting of “Sonnet,” written by James Weldon Johnson in 1893.


A Virginia native, Marquis L.A. Garrett is an Assistant Professor of Music. at the University of Nebraska–Lincoln. Before earning his PhD in Music Education at Florida State University he was the Director of Choral Activities at Cheyney University of Pennsylvania. He holds an MM from the University of North Carolina at Greensboro, and a BA from Hampton University. An active conductor, Dr. Garrett is the artistic director of the Omaha Symphonic Chorus and founding conductor of the Nebraska Festival Singers. This is the first time Oakland GMC has had the opportunity to perform his music.


James Weldon Johnson (1871-1938) is a name we remember today for having written the lyrics for "Lift Every Voice and Sing” in 1900, which later became known as the Negro National Anthem. The music was written by his younger brother, J. Rosamond Johnson

 

In 1897 James Weldon Johnson became the first African American admitted to the Florida Bar Exam since the Reconstruction era ended. Under President Theodore Roosevelt he was appointed U.S. consul in Venezuela and then Nicaragua for most of the period from 1906 to 1913. From 1920 to 1930 he was Executive Secretary of the National Association for the Advancement of Colored People (NAACP). In 1934, he was the first African American professor to be hired at New York University, and later he was a professor of creative literature and writing at Fisk University a historically black university.

 

Johnson was known during the Harlem Renaissance for his poems, novels, and anthologies collecting both poetry and spirituals of Black culture. “Sonnet” is one of Johnson’s earlier poems, published while the poet was in his early twenties and still attending Atlanta University. He died on June 26, 1938, at the age of 67, after a train struck his car in Wiscasset, Maine. His Harlem funeral was attended by over 2,000 mourners.


Sonnet


My heart be brave, and do not falter so, 
Nor utter more that deep, despairing wail.   
Thy way is very dark and drear I know,   
But do not let thy strength and courage fail;   
For certain as the raven-winged night
Is followed by the bright and blushing morn,   
Thy coming morrow will be clear and bright;   
’Tis darkest when the night is furthest worn.   
Look up, and out, beyond, surrounding clouds,   
And do not in thine own gross darkness grope,   
Rise up, and casting off thy hind’ring shrouds,   
Cling thou to this, and ever inspiring hope:
   Tho’ thick the battle and tho’ fierce the fight,
   There is a power making for the right.


James Weldon Johnson (1871-1938)


Garrett describes his relationship to the poem: “The first and last lines of the Johnson poem immediately stood out to me. In the midst of discrimination, our heart—the core of our being—must lead us into rightful change. And as we continue doing right, the principles of honesty, love, and justice will give us the power to strive for what is due all of humanity.”


Don’t you love learning the back story of a song? It becomes so much more meaningful for the singers and audience. For our spring concerts, “True Colors,” the Oakland Gay Men’s Chorus (OGMC) will be performing many wonderful songs— songs that sing of hope, resiliency, and being enough, when there is so much discrimination and divisiveness in the world. We’ll be joined by New Voices Bay Area TIGQ Chorus.

 

Black history should not be confined to just one month! Black history is American history. Please click on the links above for a deeper dive into this topic.


Visit the Museum of African Diaspora in San Francisco: https://www.moadsf.org


Do a google search for Black History or Black composers. There’s a wealth of information out there.



By Oakland GMC December 3, 2025
Voices from our Chorus David Guerra on Sewing Costumes, Singing Truths, and Finding Family  By June Kamerling
By Oakland GMC June 1, 2024
Support the Oakland Gay Men's Chorus this Pride Month!
By Oakland GMC June 1, 2024
By Seth Frost (He/Him), Board Secretary, Baritone. As we welcome Pride Month, it's a time to reflect, celebrate, and honor the journey of the Oakland Gay Men's Chorus (OGMC). Our chorus was established in 1999, and since joining in 2018, I have been proud to be part of this vibrant community. From my very first interaction, I felt a warm embrace, an invitation to be part of something bigger than myself. For many, like myself, OGMC has been a core connection to the queer community, especially for those who came out later in life. Performing shows is more than a passion; it's our way of enriching the broader community in Oakland and the SF Bay Area, showcasing the joy found in queer life. At the heart of OGMC is our mission statement: "The Oakland Gay Men’s Chorus gives voice through song to a community where everyone matters." This guiding principle shapes everything we do. Being in a chorus means standing bravely in public, singing, supporting each other, and creating something more beautiful than any of us could achieve alone. This Pride Month, we're particularly excited about our 25th Anniversary Season, featuring "You Can’t Stop The Beat." This show is a showcase of our talents, with small ensemble and solo pieces prepared by our members. It's also a preview of the music we'll be taking to the national GALA festival in Minneapolis later this summer. Songs like "True Colors" are on the lineup, and I can't wait to see my friends shine. Celebrating Pride in Oakland and at the GALA Festival is especially significant this year. Our recent commission from Marques L. A. Garrett, requested by popular demand, highlights the collaborative spirit of our members. This show, filled with solos and special performances, is a true celebration of our talented membership. What does Pride mean to you? Seth Frost (He/Him), Board Secretary, Baritone. Pride is a call to step forward and assert that we matter, that our voices deserve to be heard. Pride events counteract hate and help heal the shame within ourselves. Singing loudly and proudly, we offer comfort and a beacon to those who can't yet express themselves authentically. Our year-round performances often end with the chorus spreading out around the audience, fostering a sense of community, welcome, and safety for all. June Kamerling (She/Her), Tenor 1 Pride is a celebration of the LGBTQ community and all it stands for. By participating in events like Oakland Pride and Alameda Pride, we give back to the community and practice visibility and inclusion. The impact of our events is profound, creating a supportive community where everyone feels they belong. Shawn Simon (He/Him), Board Vice President, Base Pride means being able to love ourselves unconditionally and seeing others empowered to live authentically. It's important to celebrate Pride to remind ourselves of our worth, connect with our community, and honor our history. Organizing events like our concerts has been profoundly impactful, creating an inclusive community and supporting local organizations.
By Spike Lomibao June 9, 2022
Change is Good By Spike Lomibao Even if change comes about slowly, it can totally be worth the wait. In April, we finally brought a program to the stage that was in production two years ago! Artistic Director, Dr. Ben Riggs reflected: “Since that time, the world has seen profound change, some for the better and some for the worse. What remains the same is OGMC’s commitment to social justice and societal transformation, one song and one heart at a time.” And so at our familiar venues in the First Presbyterian Churches of Alameda and Oakland, the Chorus explored several dimensions of change in our lives. Early in Act I “Seize the Day” (from “Newsies”, Menken/Feldman/Emerson) and “Let the Music Fill Your Soul” (Narverud/Bode) were upbeat and uplifting tunes that are truly motivational. There were somber moments in “Refuge” (Walker/Teasdale) and “Prayer for the Children” (Bestor/Klouse) that reminded us of the necessity to foster peace and civility amid social and political unrest. One could not help but think of Ukraine, as the latter song asks “Cryin’ who will help me to feel the love again in my own land?…” The title selection, “Be the Change” (Narverud) wrapped up Act I, encouraging us to take personal initiative toward making the world better: “So I’ll take charge, be brave, work hard, have faith, stand strong for what is good, I’ll be the change.” In Act II, “It Takes a Village” (Szymko) helped bring home the message that raising a child, which could also apply to social movements, is both a burden and joy experienced by our communities; while “Make Them Hear You” (from “Ragtime”, Flaherty/Ahrens/Funk) speaks to making things happen with active, vocal communication. One noteworthy highlight of the second half was the premiere of “Look Out Above,” arranged for OGMC by composer Jocelyn Hagen and Minneapolis-based hip-hop artist Dessa. With choreography and human percussion in this contemporary piece, the metaphor for the incessant nature of time illustrates that “there’s no stopping us” in the important things we need to accomplish. Ending on positive notes, baritone Wally Bee introduced and presented his original work, reminding us that in all that we do, “Love Is All That Matters”. While also intended as a live premiere two years ago, the Chorus created a Virtual Choir performance of this beautiful, emotional song in 2020, still available on YouTube . Finally, as is our tradition, the concert was tied up with a feel-good bow of optimism and gratitude for our lives just as they are with “What a Wonderful World” (Weiss/Thiele). It was Dr. Riggs’ hope that the concert would inspire: “to create change where it matters most in your life—because each of us, no matter how small we think we are, can Be the Change. Speaking of change… of seasons, don’t miss our summer concert on July 9 and 10, at Freight & Salvage in Berkeley: “Sondheim & Company: Broadway Our Way”. This will be a selection of several famous numbers from the theatre, and also a tribute to the genius, who passed away in November 2021.
By OGMC Member October 8, 2020
Our 9th installment comes with words of wisdom from the Indigo Girls, taken from their 1999 song “Go.” With a career spanning over three decades (and counting), and well known for their intricate harmonies, captivating lyrics, and incredible guitar skills, this folk rock duo often brings activism into their music, boldly singing out for the environment, gay rights, and civil rights. While on tour during election years, they often include this song in their sets, which serves as a reminder and a plea to vote. Since their tour was cancelled this year due to Covid19, we are helping to get their message out — how important your vote is, especially this year — don’t assume anything, just go! https://registertovote.ca.gov
By Mel Terry October 8, 2020
by Mel Terry It’s been 6 months since the chorus has sung together. Although we keep in contact through Zoom meetings and gatherings, we do miss our in-person gatherings and our community. Fred Rogers, our Production Committee Chair and raconteur extraordinaire, felt that the upcoming November election was too important to sit on the sidelines. The League of Women Voters has previously had voter registration available at our shows during election years and it seemed urgent to him that we get involved with them again this year. He contacted chorus member Steve Smith who gave him a local contact and the wheels were set in motion. He organized a team of OGMC members to help get out the vote. Fred, Bruce Carlton, John Rogers, Michael Sibio, Steve Smith, Mel Terry and Brian Tognatti hit the streets this week wearing OGMC t-shirts and masks, keeping appropriate social distance and taking advantage of the breathable air. Moving quickly up and down the many hills and stairs of the San Antonio district of East Oakland, one of the most diverse areas of the city, and a historically low voter turnout precinct, they distributed door hangers encouraging voting. Aside from the occasional barking dog everything went smoothly and over 500 door hangers were hung. All agreed that it was great seeing each other, felt good doing something for and in the community, and it was a splendid work out! Just one example of the OGMC giving back to our community. To reach the League of Women Voters of Oakland, please contact: Bonnie Hamlin, V. P. Administration Member of the Communications, Development, and Membership Committees Office Coordinator, League of Women Voters of Oakland (510) 834-7640 League Office
By June Kamerling October 8, 2020
by June Kamerling I had the pleasure of interviewing James Berglund on a beautiful Saturday morning walk at Pt. Isabelle recently. James and hubby, Jeff McEwen, have been in the chorus for 10 years. James lived in LA and was in a mixed SATB GALA chorus there, West Coast Singers from 1996 till 2009. James and Jeff met at Montreal GALA in 2008. James moved to the Bay Area a year later, leaving his WC Singers “family” to join Jeff who was already with SFGMC at that time. James joined and sang with them for 4 years. They lived in Oakland and knew of OGMC. They had been to OGMC concerts and noticed that the chorus was growing and sound was getting better. They decided in 2010 to leave SFGMC and join OGMC both at the same time (yay!). Michael Patch was director of OGMC at the time and then Stephanie Smith came in. James’ musical background is a little out of the ordinary! “I was a beginner when I joined West Coast Singers. I had been in some talent shows in the past. I didn’t know how to read music but I have a great ear. I trained myself to match pitch by listening to my mom’s vacuum cleaner and I’d sing that pitch (laughs)….and go up and down and do different pitches. I learned how to imitate sounds and voices so mostly I just listen to how things sound and copy the pitch. I had a hard time learning piano because I played by ear. Now I’ve learned how to read music enough to follow along”. I asked him what the chorus was like when he first joined. “OGMC was very insular at the time. I had a hard time finding my place in the group. Peter Dempsey was the most welcoming. He was quite a driving force back then. His passing was really rough on me. Jeff Ray, (who used to be on the board but, stepped away 2-3 years ago) was in the chorus then. I’d sit next to him in the back row and we’d crack jokes. We clicked”. James continued, “The chorus has changed dramatically for the better since I joined. It’s not the same chorus. We’ve come a long way. I’m happy to see ‘the old guard’ holding up the chorus and the new people coming in adding changes. The chorus is who the people are and we’ve got some amazing people. It’s lovely to see everyone from younger to older members as well as ethnic and gender diversity. I find the chorus to be much friendlier now. We were more insular back in the day. But now it feels like family. Groups of friends mix with other groups of friends. I feel the same intimacy I felt with The West Coast Singers”. I asked him what direction he would like to see the chorus take in the future? “We’ve come a long way since I joined but we need to continue to grow. We have such great potential going on. We’re a lot more inclusive of gender and gender identity. We just need to keep growing. I love the family aspect of the chorus. I love to sing but it’s not my deepest passion. I love the artistry but it’s the human connection I truly love. I call it my church. When I joined the chorus connecting with the gay community was important but not so much now….now it’s just the people. I’m happy it’s mostly gay, but I’m happy that it’s not all gay. I love that we have people who aren’t queer, male, gay identified”. In summer of 2019 I was looking for a chorus to sing with having left my previous chorus the year before. I missed singing in harmony with others. Stephanie Smith had suggested that I audition for OGMC. I was friends with some of the members but had never considered that as a straight woman I could join a “gay men’s chorus”. As Membership Chair, James was the first person I contacted in the chorus to find out about auditioning. He immediately made me feel comfortable and welcome. As I settled into my first season in OGMC (Sept 2019) I found out that Membership Chair was quite a multi-hat job. James explained more, “I became the Membership Chair in January of 2014 during Stephanie Lynne Smith's second run as our director. I took the role reluctantly because I wasn't sure I would want the responsibility. I quickly found it to be quite enjoyable and rewarding." My main role as membership chair is to be the connection for the general membership of chorus to the board of directors and other leadership positions. I encourage members to contact me with their concerns, questions, critiques, and accolades they have about their experience in the chorus. One major way of getting that information is through the surveys I send out at the conclusion of a concert block which allows members to voice their opinions. My role also includes having regular Membership Committee meetings where we plan out the chorus social activities. Everything from a bowling night in Alameda to scheduling and planning the weekend retreat rehearsals. I am thankful for the committee members for helping make the chorus a fun and enjoyable experience for everyone”. The short time I’ve been in the chorus has been beyond fun and enjoyable. I thanked James for his part in welcoming me into the “family”. I know we all look forward to the day we can gather and sing together again and James and the members that are the OGMC glue can get back to their chorus jobs.
By OGMC Member September 25, 2020
Our 8th collage features the Material Girl herself, letting us know what she thinks of uppity women!
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